dotwrk
new product
no sleep 'til brooklands
things we like about ghosts
be like boy
the sleeping eight
the whirled famous
look busy
later than planned

You Need ThisTo Live PCR027

1. the whirled famous (1.41)
2. dotwrk (6.04)
3. no sleep 'til brooklands (2.25)
4. the innocent bystander (1.00)
5. later than planned (4.03)
6. look busy (3.22)
7. things we like about ghosts (3.56)
8. be like boy (2.38)
9. the sleeping eight (5.06)
10. vs. the sixth birthday party (2.16)
11. make some noise (1.17)
12. new product (8.33)
13. drunk guitar (0.49)

Click these to see the full front inlay and back, these pretty pics were snapped by Tina with me peeking over her shoulder on the plane to Milan. When we flew. Togther. Like a couple! Scroll down for a stack of mp3s!

It's been about three months since the last record, about time for another one or else I might get rusty. 'You Need This To Live' is the mildly sarcastically-titled 14th Enough Rope album and introduces elements of turntablism and pop choruses into the mix. Well, of course it doesn't, but maybe one day.

What we have here is kind of an extension/continuation of the sound from 'schemes', echoing melody things with the odd bit of weird thrown in. 'dotwrk' is probably my favourite track and fits into the former category; it does a surprisingly good job of justifying its six-minute length considering it never leaves its single four-chord pattern. It introduces the theme of fuzzy lead lines layered on top of each other which reappears later on. I think there's six guitars going at once toward the end there. 'no sleep 'til brooklands' would be in the 'weird' category, the title came from a recent journal entry about a security scare at Timperley Metrolink station which lead to me considering the similarities between my local area and New York, and one thing lead to another. The music itself revolves around a weird looped bit of guitat which I played by accident and decided I liked; it's sometimes slightly piercing and almost unpleasant but it all works out in the end, right?

Lots of things I like on here. 'later than planned' is old-skool Enough Rope. 'look busy' features another effects-heavy loop. 'things we like about ghosts' uses a sounclip from a demo I recorded on my webcam back in August one lazy Saturday afternoon. I think it was the opening day of the season and 'Football Focus' was on, I believe that's QPR manager Ian Holloway being interviewed at the start there. Again it takes the loud guitar lead line and runs with it, there's few things that excite me more in music than a straightforward climbing riff, and this one triples your pleasure by having 3 guitars play it at once but starting at different points. 'be like boy' (that's a Simpsons line, fact fans!) was gonna have more layers but I decided to stick with the muted, minimalist kinda feel, with the faux-drums and the weird 'twatting the strings with a battery' sound.

'the sleeping eight' was originally a track for the more spacious planned The Rogue Telephone album which may never materialise, so here it is. The title was inspired by Tina's description of the infinity symbol, and I thought it sounded pretty. Anyway, it's sort of in three parts, and toward the end of each one you get many repeating notes on top of each other until it starts to take on a kind of mechanical sound, which reminds me a little of the prepared guitar with little hammers hitting the strings which Paolo Angeli uses. No? Fair enough. It stops sounding like a real guitar and just sounds like something altogether tinnier, but pleasing to my ear at least. 'vs. the sixth birthday party' was recorded, as the title suggests, in my room as a really fucking loud kids' party happened two doors down from here. I recorded a couple of minutes of it and planned to have it run through the whole track, but it had to be boosted til it hissed so I just left a quick snippet at the end which fits kinda nicely with the grating noise of the following track.

And then we come to what was almost the title track, 'new product', which is one of my favourite songs ever. It doesn't really feel like 8 and a half minutes to me, there's loads going on in there that I don't even remember playing. The whole thing kinda bounces along with layers. Always with the layers, man. I like it! Interesting fact: the main riff had to be changed because I worried it sounded too much like 'The Hot Stenographer' by Kinski, a track I could have ripped off anyway without anyone noticing. Oh well. And then we get the fun 'drunk guitar', which is what it sounds like, completely out of tune beer bottle sliding! Yes!