1.
the broken watch chase dream (23.09)
|
It's
a sunny day and for some reason I'm out of my usual comfort
zone of, well, sitting on a chair hitting buttons or strings.
I'm out in the wild somewhere, in a fenced-off gravel basketball/five-a-side
court surrounded by tree-covered valleys, streams and chirping
birds. I'm wandering slowly, looking for a gap in the fence
so I can hit the road, when out of my pocket comes an Alice-in-Wonderland-style
pocket watch, which in the dream I understand is also a phone,
although it's not indicated by the physical characteristics.
Anyhow, the phone/watch thing hits the gravel and just slides,
like the gravel has no friction at all and the phone/watch
is being carried by some unseen force. On and on it slides,
and I don't seem to be getting any closer. I need that thing.
I'm not sure why, but I need it. I never catch it. And then
I wake up.
...
(see the front cover here
and the inside here)
This is the third, and (logic must dictate) final part of
the 3" CD trilogy. I had a blast making these...always
something appealing about setting up a concept and making
it through to the end. This goes for a different kind of ambient
drone to the second part, one cooked up in a fairly ad-hoc
way using the Marshall EH-1 Echohead pedal which Santa slapped
into my fat hands. It kicks off with a kind of tumbling thing
recorded live through the pedal, which repeats things back
so you can get a jam going. The bulk of the track though is
built on a backwards-looping effect which may or may not disappear
up its own ambience. It's kind of, er, liquid. There's a chord
or two thrown in for structure so it's not totally adrift.
But it almost is.
The last fifteen minutes or so of this was all done live,
right after I did the long-ass live version which you can
find just a click away. That's
something I never got to do much before, really just lock
in and jam something into a big mess. There's a point near
the end where I switched from a guitar to a mic and just mumbled
and hummed some shit and fed some Buddha Machine loops in,
which sounds maybe a little dark. But nothing wrong with that,
right? Right.
|